There’s a lot going on at the Brooklyn Museum, which announced several new projects this week, including upcoming events, exhibitions and redesigned galleries. 

The museum’s African art collection, one of the largest in the U.S., will get a new permanent home on the museum’s third floor. The inaugural installation will feature over 300 works from the collection and plans to open in fall 2027. 

This fall, the Henry and Rose Pearlman Collection returns in full to the museum before the collection gets divided between LACMA, MoMa and the Brooklyn Museum. The collection features more than 50 modern European works from the likes of Van Gogh, Cezanne, Degas and more.

And to cap it off, the Brooklyn Museum will celebrate Earth Day and National Poetry Month through lectures, workshops, interactive programs and more.

With all of this art, education and culture right in our borough, it can be difficult to decide what’s worth visiting. Let us know what exhibitions you’ll be attending by emailing [email protected]

—Mandie-Beth Chau

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Photo: Thomas McKean

Artist Thomas McKean has gained notoriety for his tributes to the MetroCard, but his art is really a tribute to his family. 

McKean comes from a long line of New Yorkers and has family ties to many locations throughout the city. Anyone who visits his art on view at the New York Transit Museum’s “Inspired by MetroCard” exhibition, for example, will notice the collages of characters depicted in vivid scenes at specific New York locations. 

One of these works, the collage that kicked off McKean’s family history series, depicts his great aunt Rita. She participated in the Brooklyn Eagle’s January 1955 strike, where Eagle staffers protested not being paid as much as Manhattan newspaper workers. The strike led to the Eagle’s closure later that year.

“The Journey” by Risha Gorig, presented by NYC Parks’ Art in the Park program and the Prospect Park Alliance, is a sculpture near Prospect Park’s historic Boathouse on view through Aug. 31. “The Journey” depicts a flock of neon pink kinetic birds suspended 15 feet in the air, wings catching and releasing with the wind.

Exhibit viewers will have the chance to meet the Brooklyn-based multimedia artist at an opening reception as part of the park’s Earth Day Celebration on April 19. 

Photo: Steven Pisano

From the beginning of Jane Comfort’s dance career, she has incorporated overt political themes in her work. The artistic director and choreographer premiered her latest work, “The Gulf of America,” along with two older but relevant pieces at La MaMa in the East Village last week.

Comfort credited choreographer and director Mark Dendy with giving her the “strength and nerve” to embed her observations of current events in her work. Originally from Oak Ridge, Tennessee, a town that played a pivotal role in the Manhattan Project, Comfort said her education also encouraged her to use her voice and question things. 

“I grew up with sons and daughters of theoretical physicists in a town that was not like the South. Most of my fellow classmates were really smart at math and physics, and I wasn’t,” said Comfort. “The teachers jumped on my artistic skills and started encouraging me really early. That was incredibly helpful.”

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This newsletter is written by Mandie-Beth Chau. Email [email protected] with any questions or comments.

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